Peter Spain Tahoe Photograph
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Meet the artist reception August 4
stain-glass by Michael Phenicie Mostly Wind by Douglas E. Taylor, original mixed-media Guiding Light, a photograph by Robert Desmond Lake of the Sky Tango by Douglas E. Taylor Etching by Elizabeth Paganelli
Douglas E. Taylor Nostalgic Tahoe  Photograph

    Douglas E. Taylor
    Douglas E. Taylor, artist
    Printmaking and
    Mixed Media

Douglas Taylor has been a professional artist since at least 1979 and represented in many galleries throughout the western United States.  He taught a wide variety of studio art on the college and university level from 1982 to 1998.  He has a west coast, east coast and midwest art education. He received his Master of Fine Arts in Printmaking from Washington University in St. Louis, Missouri, 1989.  Douglas also studied on the graduate level at Maryland Institute College of Art in Baltimore, the summer of 1986.  He earned a Bachelor of Professional Arts degree from Oregon Collage of Art, in Ashland, Oregon, 1979.  There he concentrated on illustration and painting and learned the foundation for being a successful professional artist.  In 1980, he privately studied etching (intaglio printmaking) and produced over 50 edition prints in  the following seven years.  In 1992, he designed and completed the construction of his own motorized intaglio printing press.  It is about 12 feet long and three feet wide. It has twenty-five inch  wide steel rollers and is able to print the many different processes and methods that Douglas involves himself.   Aspen Leaf Motif, Wooden Stool  with Metal Collage by Douglas E, Taylor

He was born in Oregon, and grew up in several western states, including
 Idaho, Washington, California, Arizona and Nevada.  He has lived at beautiful
 Lake Tahoe, California, since January of 1990.

 

 

ASPEN  LEAF  Wooden Stool with Metal Callage, click picture or this text link for more information and images of this unique stool, or this text link to  information about the Silent Auction to benefit the
ARTS FOR  THE SCHOOLS program
.

Click the links to see his artworks from the Whirled Piece exhibit or an
 
artist statement concerning his Whirled Piece series, or a one page resume
summery, or read some of his recent poetry that relate to the Whirled Piece
 Series. See a
Portfolio of available pieces from 2000 - 2001. See early etchings
 by Doug Taylor
(c.1980-1987).

The artist, Douglas Taylor with “Somewhere Where”, from his
 recent series, Rivers & Horses .
The over-all size is 47.5 x 57.75 inches.  It is a collage of various printmaking and Oriental papers on canvas, integrated with acrylic painting, framed in a cherry wood frame.

 
Click here to see more of this and other pieces of the Horses & Rivers Exhibit.

Click here to read an article written in Tahoe Quarterly Magazine by Michael Penwarden about artist, Douglas Taylor.

New monoprints by Taylor will be exhibited at the
Appaloosa Museum in Moscow, Idaho
 from September 23, 2005 to January 7, 2006
.
The Exhibit, Appaloosa Spirit, is inspired by the
Appaloosa horse and the country that spawned the breed.  This will be the
 first time the museum has had a solo exhibit for an artist. It will feature
five new monoprints, a previous monoprint and twogicle’e prints of mixed
 media images  appropriate for the exhibit.  To learn more about the museum
 and how to visit it, click this link to
www.appaloosamuseum.org

Douglas Taylor was invited to participate in an exhibit at Indiana State
University
in Terre Haute, Indiana.  A monoprint titled
Rounding Corners
 was selected for Against Tradition: Trends in Contemporary
Printmaking
. The exhibit ran from March 10 through April 9, 2004.
 According to Kaz McCue, curater and gallery director,
Against Tradition
is a group exhibition which seeks to investigate contemporary printmakers’
interest in the potential of printmaking to engage in a broader dialogue within the visual arts. Working against traditional forms and techniques, today’s print artists are more concerned with experimentation, mixed media combinations and new technologies rather the explicit continuity of the tradition of the medium.  Printmaking offers seemingly endless flexibility in the creation of new and exciting visual applications and has established itself as a medium for artist seeking greater freedom of expression. The exhibition features a variety of approaches to the medium of printmaking including new and experimentative techniques, the incorporation of new technologies, contemporary approaches to presentation and installation, and dynamic variations on the artist’s book.  The exhibit includes work by thirty artists from across the United States, Canada and Europe.

Artist statement about the Whirled Piece Exhibit
A
biographical statement and One- page resume’

Limited reproduction rights and licensing of images created
by Douglas Taylor can be purchased.  Contact Vista Gallery
 for specific arrangements.

 

Season of the Now installed in a collector's home

Click here to see new artworks for 2007 and what projects are in the works by Douglas E. Taylor

To learn more about the history and mission of this special business, click here.

More Whirled Pieces by Douglas E. Taylor

More Whirled  Pieces
A mixed-media on canvas
(a collage of various types of printmaking and Oriental rice papers, integrated with acrylic painting, including iridescent colors)
By Douglas E. Taylor

SOLD $12,025  framed as displayed with a cherry wood frame
over-all size: 49.5 x 73 inches

This piece was originally titled “Whirled Piece” but was changed and revamped in 2005 and 2007. It has been re-titled, “More Whirled Pieces”.

More Whirled  Pieces      a poem by the artist

The world needs more peaces
Peaces that fit together
Unbroken hearts and minds
Fragments of missing peaces
Individuals making a whole
Where everyone counts and there are no numbers
Realizing their contributions as filling the bowl
All it takes is one to eventually fill and overflow

The Aspen Leaf as it relates to both Taylor’s Whirled Piece and Rivers and Horses Exhibits

The Whirled Piece Series utilizes the motif of the aspen tree leaf.  Regarded by the artist as symbolic of the country he loves in the western United States.  The aspen is related to the cottonwood tree and both thrive near streams and other wild water sources.  They can be found growing along rivers and mountain sides where there is a lot of Spring run-off from melting snow. In the autumn the aspen turn color, from a bright dark orange to every range of yellow one can imagine.   Taylor describes his inspiration.
SOMEWHERE  NOW   by Douglas E. Taylor, installed in collecto's home
“Somewhere Now” by Douglas E. Taylor, installed in a collectors home

“I love the rounded spade/heart shape of the aspen leaf. Leafs in general are a metaphor and symbol of the life cycle, the natural circle of the seasons.  The aspen leaf’s unique ability to tremble and quake in the slightest breeze, fractures the air, the scene beyond the trees, and the sky and creates a sense of wonder and animation. To me it is like the surface of water on a lake, river or ocean, the shift of colors, light, clouds and atmosphere in the sky.  There is a magic in observing that animation.” For his Rivers & Horses Exhibit he played with the idea that both horses and rivers “run”, Taylor designed the Appaloosa spots on his horses with the motif of the aspen leaf shapeThe aspen tree and leaf is well represented in this body of artworks.

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